Okay, so, just to make it clear- this is an unpleasant book. I mean that in a good way, but holy shit. And it’s not an unendingly unpleasant book, nor is the unpleasantness anything but what you’d expect of masterfully written horror, but at the risk of being considered a repetitive, hack writer…. holy shit. Purposefully and at specific and calculated times, this is an unpleasant book.
I know it came after this film, but when I watch Humanoids From the Deep, something always catches in the back of my mind, and I finally figured it out this time: this film is Redneck C.H.U.D. So imagine the premise of C.H.U.D. but instead of urban homeless victims, we get rural fishermen, and instead of sewer mutants, we get somewhat Lovecraftian river mutants. And some Billy Jack-esque themes. And a lot of T&A
Nazis were bad. Like really bad. There is nothing in the whole of human history that you could have been that was worse than a Nazi. If you had to choose between a Nazi and a serial killer to be on your bowling team, you’d pick the serial killer.
A review by Aaron AuBuchon Alistair Hughes Telos Publishing Ltd. 2018 “I’ve already read some books on Hammer horror films,” I can hear you thinking. (That’s right, I can hear you thinking.) “This book is like 96 pages long and costs 27 bucks. No way I’m learning anything new with that.”Oh, internet stranger, how wrong... Continue Reading →
A Review By Aaron AuBuchon Amazon Prime Video, 2011 When we look back on the 2010’s and the genre films it produced, one thing that will be pretty obvious is how successful genre filmmakers became at blending the horrors of fiction and fantasy with the horrors of the real world, the living horrors that people... Continue Reading →
Watching Blood Lake is a curious thing because I grew up with the people in it. I mean, not the exact people, but their species.
A review by Aaron AuBuchon Severin Blu-Ray, 2014 If Melvin the Mop Boy from The Toxic Avenger (1984) was born of a vague Eastern European stock and was cast in a low-rent knockoff of Taxi Driver, you’d come close to being able to describe Bag Boy Lover Boy. However, it transcends that description while also... Continue Reading →
...in the early to mid 1970’s two films would emerge that would use this theme to explore the two very different sides of the conversation, creating metaphors for what happens when city progressives are confronted with rural traditionalists in their own environment. I Drink Your Blood (1971) and The Texas Chain Saw Massacre (1974) would each create an aggressively oversimplified and terrifyingly singular antagonistic “family” which not only held up a mirror to the times in which the films were created, they held up and almost perfectly reflected each other.
The wind rushed through a gaping hole in the collapsed structure roaring like the mouth of hell. In the harsh sterile light emanating from a cellphone, Andrew couldn’t differentiate what was shredded nylon canvass and what was meat. Save for a few backpacks, blood-soaked clothes, and one torn sleeping bag, the tent was empty. Three people should have been inside.
By Aaron AuBuchon There’s a truism amongst cinephiles that runs so strong and so deep that to suggest otherwise is to risk ridicule, banishment, ritual torture and summary execution: it is best to watch a film in a theater with a large audience. This is always presented as an a priori fact, an objective truth... Continue Reading →