Maniac Harry isn't the scariest thing in NYC It’s impossible to discuss Elliott Kalan & Andrea Mutti’s new Aftershock horror comic, Maniac of New York, without mentioning the film that inspired it. Friday the 13th Part VIII: Jason Takes Manhattan begins with panning shots of New York City in decay. The goal of this putrid... Continue Reading →
By Kole Phelps “What’s your favorite scary movie?” is a question that can mean two things to a horror fan. For some, it’s just a straightforward question, but for others, it brings to mind the image of Drew Barrymore dissolving into terror as a masked killer on the phone asks her the same question. Scream... Continue Reading →
While ostensibly a monster film, it is equally a revenge film and an action film. And I guess a hopping turdman film, which also makes it the only example of that I can think of.
Both John Carpenter’s The Thing and David Cronenberg’s Videodrome grapple with the idea of human evolution and our place in the world around us. While both films use quite different methods to communicate their fears, the focus of the horror elements center on the shifting state of nature.
By Sarah Winkler The process of translating works to different mediums calls for a subjective ‘originality,’ in that elements in a given adaptation are often something reworked, if not added or subtracted when moved from one format to another. In the case of transmuting classic literature to classic film, there is a similar need for... Continue Reading →
So listen, babies, when I tell you my truth: the Return of the Living Dead Soundtrack changed my life.
It isn’t that I believe Toho and co. were making a Godzilla film about the coronavirus in 2016, that would require a tin-foil hat and perhaps an antipsychotic prescription.
FICTION: The dealer has arrived in Carrier, Wyoming just as two wayward travelers break down. As the young men search for help, they find a town deserted.
The producers of Italian genre cinema are often accused of stealing from successful movie trends from around the world, especially from America. Fulci hopped on the bandwagon started by Romero, Leone did the same thing with John Ford. And then there’s the late career work of Bruno Mattei who was just breathtaking in his thievery. Other films from this period of his career are talked about as (Name of a Film) crossed with (Name of a Different Film) because of the sheer audacity of their weird mish-mashing. Want to see Cannibal Holocaust (Lite) mixed with Predator? In the Land of the Cannibals (2003) is for you. But if you want to see something that stays mostly inside the horror genre for the mixtape it crafts, Island of the Living Dead is the one.