ISLAND OF THE LIVING DEAD

The producers of Italian genre cinema are often accused of stealing from successful movie trends from around the world, especially from America. Fulci hopped on the bandwagon started by Romero, Leone did the same thing with John Ford. And then there’s the late career work of Bruno Mattei who was just breathtaking in his thievery. Other films from this period of his career are talked about as (Name of a Film) crossed with (Name of a Different Film) because of the sheer audacity of their weird mish-mashing. Want to see Cannibal Holocaust (Lite) mixed with Predator? In the Land of the Cannibals (2003) is for you. But if you want to see something that stays mostly inside the horror genre for the mixtape it crafts, Island of the Living Dead is the one.

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